freeOK概要：As part of the artificial biology series, including Der Golem (1914 and 1920), Alraune (1918, 1928, 1930), and Metropolis (1926), "Homunculus" was the most popular collection in Germany during World War I, even influencing the fashion scene in Berlin. Danish star Fonss is the perfect creature created by Kuehne in the laboratory. After discovering his own origin, he had no "soul" and no ability to love. He sought revenge on humanity, incited revolution, and became a monster but a beautiful tyrant, relentlessly pursued by his creator father. He tried to correct his mistakes. The attempt of humans to create artificial life has long been a major focus of science fiction movies. Director Otto Rippert's' Homunculus' series has reached a high level of complexity. Without the bizarre imitation of human body parts like his infamous Frankenstein monster, humans are the beloved "test tube babies" of a German scientist, lacking only one thing - the ability to feel love. The movie seen here is preserved from decaying 35mm nitrate print with coloring and color grading, possibly a condensed version of the original six episode series. Structurally speaking, this story (with the Italian intertidal zone) remains intact, with decomposed nitrates combined with remnants of the original color, creating a transcendent beauty and enhancing the drama. The buttercup was preserved with funding from the Louis B. Mayer Foundation.
As part of the artificial biology series, including Der Golem (1914 and 1920), Alraune (1918, 1928, 1930), and Metropolis (1926), "Homunculus" was the most popular collection in Germany during World War I, even influencing the fashion scene in Berlin. Danish star Fonss is the perfect creature created by Kuehne in the laboratory. After discovering his own origin, he had no "soul" and no ability to love. He sought revenge on humanity, incited revolution, and became a monster but a beautiful tyrant, relentlessly pursued by his creator father. He tried to correct his mistakes. The attempt of humans to create artificial life has long been a major focus of science fiction movies. Director Otto Rippert's' Homunculus' series has reached a high level of complexity. Without the bizarre imitation of human body parts like his infamous Frankenstein monster, humans are the beloved "test tube babies" of a German scientist, lacking only one thing - the ability to feel love. The movie seen here is preserved from decaying 35mm nitrate print with coloring and color grading, possibly a condensed version of the original six episode series. Structurally speaking, this story (with the Italian intertidal zone) remains intact, with decomposed nitrates combined with remnants of the original color, creating a transcendent beauty and enhancing the drama. The buttercup was preserved with funding from the Louis B. Mayer Foundation.展開(kāi)
