Wes Anderson is known for making independent-type stylistic films which mix poignancy and dry humor. Anderson’s films, visually, often make use of close-ups, quick pans, and slow motion shots. He often uses folk and early rock as the background-music in scenes. His often damaged characters are viewed in a compassionate light. The depiction of escapism and companionship through chemicals seems to be one of his trademarks also. In each of his films, one or more of the main characters smokes cigarettes or marijuana, excessively drinks, takes pills, etc. Additionally, his films often feature a heavy-smoking female character. A recurring character in Anderson's films is a respected middle aged male who is essentially a fraud. All of Anderson's films, with the exception of The Darjeeling Limited, end with slow motion sequences - although The Darjeeling Limited's third to last shot is in sl

這部電影結(jié)束時(shí)的字幕出現(xiàn)了歐文·威爾遜，原來他還是電影的編劇和制片人。沒想到他與韋斯·安德森的合作貫穿了安德森的電影職業(yè)生涯。當(dāng)然男主角杰森·施沃茨曼也是如此：自從這部電影他被韋斯·安德森相中之后，他本人成為了職業(yè)演員，并且參演了后續(xù)安德森的絕大多數(shù)作品。以及男配角比爾·莫瑞同樣如此：參演這部電影他只拿了9000美元的片酬，還給安德森開支票用于被投資方拒絕的直升機(jī)拍攝撥款。在后續(xù)安德森的眾多作品中，出現(xiàn)他的身影也就不足為奇了。
韋斯·安德森拍攝校園青春片似乎有些不可思議

“青春年少”只是一時(shí)的感慨
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