距離看完三季《姿態(tài)》已經有些日子，然而這部劇留下的感動與震撼仍然久久不能平息。美飾華服復古美學是明面上的視覺吸引點，愛恨情仇與LGBTQ是引人入勝的情感連接處，穿插其中的社會思潮歷史變遷是時代強心劑，因而縱使它常在幕與幕之間簡單粗暴地靠黑屏淡出，到了最后或有猛灌雞湯用力煽情之嫌，《姿態(tài)》依然活色生香、生機勃勃，當真是“LIVE WORK POSE”，野蠻美麗得令人無法不鼓掌喝彩。
看過《魯保羅變裝皇后秀》或《傳奇》這兩檔綜藝的觀眾對于Ballroom應該不會陌生

天啦為什么這么老的我都下得去口，覺得pose里面最性感的男人居然是他。
先說說前兩集，真的有點無聊，上一季的醫(yī)生被換成了好萊塢里面那個一直假笑的猩猩（excuse me），真的很丑，每次無論說什么，結束的時候都要合嘴假笑很讓人出戲。lemer卡比什么的也很丑，加戲很浪費時間。
第三集老母被抓，真的很嚇人好怕被搜到尸體，review了一遍老母的青少年悲催過去，50多歲演10幾歲太那個了，劇情還是很不錯，入了正軌，Candy又各種入境。就算死了，生前的各種行為還是各種令人作嘔

There were a place for all of us to be all of them things that we weren't allowed to be out in the world. All right, how many times have we walked Businesswoman? And now you a real one, Elektra. Or Runway, Miss Angel. And now you actually walk the real runways. We weren't pretending when we walked those categories, we were preparing. Faking it until we made it. And more than anything, we made a statement. That we deserve to dream and have our dreams fulfilled. When we were

【姿態(tài) 第三季】劇終結語記錄
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