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      1. FREEOK預(yù)告場(chǎng)一周的第八日
        一周的第八日

        一周的第八日

        The Eighth Day of the Week,Der Achte Wochentag

        影片信息

        一周的第八日
        • 片名:一周的第八日
        • 狀態(tài):已完結(jié)
        • 主演:索妮婭·齊曼/茲比格涅夫·齊布爾斯基
        • 導(dǎo)演:亞歷山大·福特
        • 年份:1958
        • 地區(qū):波蘭/西德
        • 歸類:劇情/愛(ài)情
        • 頻道:dy
        • 上映:1958-08-26
        • 語(yǔ)言:波蘭語(yǔ)
        • 更新:2025-09-16 17:24
        • 豆瓣:0.0
        • freeOK概要:Polish writer and director Aleksander Ford's "Eight Day of the Week" takes a shocking anti communist stance, the first of many positions that forced Ford to leave his homeland after the government's comprehensive crackdown on personal speech in 1968. Zbignev Sabelsky and Sonia Ziman play a married couple who fall from the cracks of the Warsaw red bureaucracy. This movie did not attempt to preach, but rather to showcase the fact that when faced with a mountain of red tape, the importance of the individual is so small. After completion in 1958, the government refused to screen "The Eighth Day of the Week" in Poland; It didn't appear anywhere until it was released in Europe a year later. According to the editor of the Best Cinema and Video Guide, most of the existing printed materials have been translated into German. http://en.wikipedia.org/wiki/Aleksander_Ford Polish filmmaker Alexander Ford played a crucial role in establishing the international reputation of excellent Polish films. One of Ford's followers may be the world's most respected Polish director, Anjay Wayida. After filming silent short films for a year, Ford made his first feature film "The Mascot" in 1930. It wasn't until his sophomore year that he started using sound, "Ulcy/The Legion of The Street" (1932). When World War II broke out, Ford went to the Soviet Union and worked closely with Yezh Bossack to establish a film department for the Polish military. After the war, Ford led the government controlled Polsky Film Company. As an opponent of the communist takeover of Poland, Ford attempted to express his dissatisfaction and expose the impact of the new regime on Jews and the poor through his films, such as his documentaries Droga Mlodych/The Street of the Young (1936) and award-winning Osmy Dzien Tygodnia/The Eighth Day of the Week (1959). Both of these movies are banned in Poland. Ford continued to film in Poland until the resurgence of anti Semitism in the 1960s, when he only stayed in Israel for two years. Ford later lived in Denmark and eventually settled in the United States.

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          freeOK概要

           網(wǎng)友收藏【已有資源】稀有威尼斯波蘭電影教程威尼斯主競(jìng)賽歷年入圍1+1+5 存檔記錄(中字或國(guó)語(yǔ))第三輯南屏立體電影院Top150波蘭影片(搬運(yùn)自IMDB某榜單)
          Polish writer and director Aleksander Ford's "Eight Day of the Week" takes a shocking anti communist stance, the first of many positions that forced Ford to leave his homeland after the government's comprehensive crackdown on personal speech in 1968. Zbignev Sabelsky and Sonia Ziman play a married couple who fall from the cracks of the Warsaw red bureaucracy. This movie did not attempt to preach, but rather to showcase the fact that when faced with a mountain of red tape, the importance of the individual is so small. After completion in 1958, the government refused to screen "The Eighth Day of the Week" in Poland; It didn't appear anywhere until it was released in Europe a year later. According to the editor of the Best Cinema and Video Guide, most of the existing printed materials have been translated into German. http://en.wikipedia.org/wiki/Aleksander_Ford Polish filmmaker Alexander Ford played a crucial role in establishing the international reputation of excellent Polish films. One of Ford's followers may be the world's most respected Polish director, Anjay Wayida. After filming silent short films for a year, Ford made his first feature film "The Mascot" in 1930. It wasn't until his sophomore year that he started using sound, "Ulcy/The Legion of The Street" (1932). When World War II broke out, Ford went to the Soviet Union and worked closely with Yezh Bossack to establish a film department for the Polish military. After the war, Ford led the government controlled Polsky Film Company. As an opponent of the communist takeover of Poland, Ford attempted to express his dissatisfaction and expose the impact of the new regime on Jews and the poor through his films, such as his documentaries Droga Mlodych/The Street of the Young (1936) and award-winning Osmy Dzien Tygodnia/The Eighth Day of the Week (1959). Both of these movies are banned in Poland. Ford continued to film in Poland until the resurgence of anti Semitism in the 1960s, when he only stayed in Israel for two years. Ford later lived in Denmark and eventually settled in the United States.

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