結(jié)構(gòu)松散，群像太多導(dǎo)致人物關(guān)系混亂，每個(gè)人的事兒都提一嘴，法語(yǔ)說(shuō)的飛快有時(shí)候不得不暫停下來(lái)回溯剛剛談了什么，把應(yīng)該拍劇的題材拍成了兩小時(shí)的電影。
可還是很好看，是我喜歡的偽紀(jì)錄片風(fēng)格，題材也棒，無(wú)條件五星。
本片講述了巴黎警察系統(tǒng)的一支特殊隊(duì)伍——青少年警隊(duì)（Juvenile Protection Unit），本片中縮寫(xiě)叫CPU，他們是負(fù)責(zé)保護(hù)未成年人的警察，他們目睹了許多惡性案件，包括兒童被虐待、兒童失蹤以及虐待兒童的父母等等。
劇情主要以小組成員各自的個(gè)人經(jīng)歷和生活為線索

juvenile problems is the troublesome issue which is relevant to complicated factors like morality, consicousness, conscience, sexual impact and orientattion. Along with the final jump of Keres, it shows the great influence on what they work on to their personal life. Once we can grasp the peak and resonsibility to those who need we to care, we have to indulge in the circumstance and make us feel the sadness and happiness, hurt what they bear, then impatience, bad mood and nagative attitude even the thinking against what we have may burst into the supreme option, which makes the shocked scene.

《警員》麥溫監(jiān)制，現(xiàn)實(shí)世界和理想世界
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