很多年前看過都鐸王朝，印象很深得是亨利八世為了一個男性繼承人多么執(zhí)著可笑，對于其他情節(jié)印象不深。此次看狼廳，覺得主角的表演自然中規(guī)中矩，但是印象最深的鏡頭卻與主角無關(guān)：
一是托馬斯.莫爾在自知必死無疑時的那段陳詞，在那一刻，我深深體會到英國當時的宗教改革面臨的巨大阻力，心中受到巨大的震動。精神信仰領(lǐng)域的改變是如此困難，且以如此慘烈的方式體現(xiàn)出來，讓人心中惻然。
二是安妮.博林之死，我記得都鐸王朝時我也見過安妮.博林被斬首，并無太大的感受，但是在狼廳中那一幕讓我尤其不忍

相比于美劇的粗暴情色嗜血，英劇絕對要慢熱許多。去年BBC2套火爆的《狼廳Wolf Hall》就是典型的英式克制。該劇根據(jù)英國女作家希拉里·曼特爾兩獲布克獎的歷史小說《狼廳Wolf Hall》和續(xù)篇《提堂Bring Up the Bodies》改編而成，強大的編導（導演：彼得·考斯明斯金）服化道演團隊陣容，從細節(jié)上再現(xiàn)了都鐸王朝亨利八世時期的宮廷權(quán)力爭斗，有別于正史中的冷血殺戮，全篇以托馬斯·克倫威爾的視角闡述歷史事件，贏得狼群中人性的呼聲。
對于托馬斯·克倫威爾的家庭，正史上少有記載。只知道他1485年生于倫敦郊外的普特尼，一位倫敦郊區(qū)鐵匠的兒子。短劇第一季共六集，導演擅長通過平行歷史敘事、閃回，而由老戲骨馬克·里朗斯扮演的托馬斯·克倫威爾，每個眼神，每一次臉部抽搐或是冷凝的動作，都耐人尋味。他為何最終在英王亨利八世的宮廷里掌控了巨大權(quán)力，這和曼特爾在書中對他童年形象的構(gòu)建不無關(guān)系。
一個饑餓、焦慮而孤獨的童年：鐵匠父親時常醉酒毆打托馬斯，七歲時，他住在紅衣主教莫頓家，他的叔叔在那兒做廚師。九歲時，他目擊了一位八十歲的異教徒被…

亨利八世的王后常常難以善終，凱瑟琳王后在孤寂憤懣中死亡，安妮·博林王后在戰(zhàn)栗膽怯中被斬首……但她們的死亡又有著不同常人之處：一個死后回避了男性的凝視；一個死后禁止男性的觸碰。
所以，如果說摩尼教是全體無身體，天主教是部分無身體（教士階層無身體），清教徒是好像沒（as if not）身體，那么，國教運動前后的王后有幾個身體？
肯定不是2個，她們并不擁有不朽的政治身體，但也不是1個，她們的身體總被賦予特殊的政治與宗教意義。也許有1.5個，多出的0.5個顯示出其不充分的政治權(quán)力

　I am no history buff and haven't read the book(yet) and I basically know nothing about the history of Tudor England except that the king had many wives......however I was hooked after watching the first episode Three Card Trick and the second episode Entirely Beloved was even better but I think I need to re-watch them with subtitles to fully understand the plots...so here's my spoiler-free review.
　　
　　Though I knew people might dislike the dark visual effect. I for one absolutely love director Peter Kosminsky's shooting style with hand-held cameras and using only natural (candle/fire) light for night scenes. It's rare to do a television series(especially historical period drama) like that but the gloom does make the show feel more authenticity.
　　
　　Both Mark Rylance and Damian Lewis gave brilliant, nomination-deserving performance. Mark Rylance will surely be a seri…

http://www.theguardian.com/commentisfree/2015/jan/22/thomas-cromwell-fixer-wolf-hall?CMP=share_btn_fb
Cromwell, the fixers’ fixer: a role model for our times
Martin Kettle
Thomas Cromwell is the politician of the moment. We seem entranced by him. How cunning and deep he is. How clever and calculating. With what skill he acquires, husbands and uses his power. How precise he is in his judgment of when to speak and when to stay silent, when to watch and when to act, absolutely ruthlessly if need be.
We are a nation hooked on Cromwell, as a result of Hilary Mantel’s novels. And now perhaps in even greater numbers than before, thanks to the BBC’s dramatisation of Wolf Hall that began this week, whose centrepiece is Mark Rylance’s Cromwell: the outsider who mesmerisingly watches, plots and thinks his way into the heart of the English Tudor state.
On one level, the current national e…

“狼廳”沒有龍的權(quán)力游戲
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